Artist’s Bio:

by Maya Huchla, Biographer

Inspired by his love of tools and farm equipment, American artist Stephen Althouse (b. 1948) fabricated his early sculptures out of wood, leather, and forged metal to resemble farming implements. Later, rather than making sculptures from raw materials, he began collecting already made objects which he loosely assembled together to create new artwork. He transitioned from sculptor to photographer when he discovered that once a piece was assembled, he could use photography as a tool to formalize his work and provide him with additional control. Althouse continues to approach his work as a sculptor, assembling and enshrouding tools, artifacts, clothing, and even weapons into a unique pictorial dialect. He further manipulates the scene with lighting, camera and computer work, and increased scale to create his larger-than-life minimalist compositions.

Working on the railroad, 1969

Raised on a farm in rural Bucks County, Pennsylvania, Althouse grew up close to farmers and their work with earth and animals. During his teens and twenties he further explored the primordial realm of labor by working arduous jobs at a stone quarry, on the railroad, in concrete construction and road building. Through his interactions with fellow workers he became sensitive to a culture of people who approach a life of physical labor with the same humility and compliant determination as countless generations before them. During these formative years Althouse also began to question our species’ predisposition for making war. He embeds humankind’s different attributes and the historical ties of humanity, laboring and warfare into much of his artwork.

Making movies in Almeria, Spain, 1970-71

Throughout his life Althouse has continued to foster his intrigue for people and diverse cultures through extensive traveling, living and working abroad in South America and Europe. He has encountered foreign environments, friendships and personalities which, like his times working in the quarry or on the railroad, opened his eyes to the often-overlooked person and the unfathomable diversity of life; while impossible to describe in words, the insight gained by such encounters have transpired into his unusual visual expressions found in his art. He made Miami, Florida his home-base for thirty years where he worked as an artist as well as Distinguished Professor of Fine Art at Barry University, and he regularly taught courses and lectured on his art in France, England, Spain, Ecuador and the Galapagos Islands. In 2003-2004 Althouse lived in Belgium as an artist-in-residence at the Museum of Modern and Contemporary Art in Liège through a Fulbright Research Fellowship and concurrent German grants from Hahnemühle papers and Epson printers.

Since leaving academia, he now resides in central Pennsylvania where he is reconnecting with his georgic roots and formulating new ideas and finding creative inspiration from the surrounding Amish community.


During the late 1960’s Althouse studied at Rollins College, Florida; Temple University, Pennsylvania; and Tyler School of Art, Pennsylvania. His undergraduate studies culminated at the University of Miami, Florida with a Bachelor of Fine Arts degree in Sculpture. His graduate studies were at Virginia Commonwealth University where he received a Master of Fine Arts degree in Sculpture in 1976.